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Television in Indonesia started in 1962 (during the opening ceremony of the 1962 Asian Games), when the then state-run station TVRI began broadcasting – the third country in Southeast Asia to do so. TVRI held a television monopoly in Indonesia until 1989 when the first commercial station, RCTI began as a local station and was subsequently granted a national license a year later. The Indonesian television is regulated by both Ministry of Communication and Information Technology (Kemenkominfo) and Indonesian Broadcasting Commission (KPI).

Each of the networks have a wide variety of programmes, ranging from traditional shows, such as wayang performances, to Western-based programmes such as Indonesian Idol, Family Feud, MasterChef, Top Model and The Voice. One typical television show common to almost every network is sinetron Sinetron is usually a drama series, following the soap opera format, but can also refer to any fictional series. Sometimes it can be comedic, like the popular Bajaj Bajuri series, featuring a auto rickshaw driver and the people he drives around.

There are a number of awards given for excellences in Indonesian television, notably Panasonic Gobel Awards and Indonesian Television Awards, as well as Anugerah KPI held by the KPI.

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The Transport and Works Act 1992 (TWA) was established by the Parliament of the United Kingdom to provide a system by which the construction of rail transport, tramway, inland waterway and harbour infrastructure could proceed in the UK by order of the Minister of State for Transport rather than, as before, on the passing of a private bill.

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Rallycross is a form of sprint style automobile racing, held on a closed mixed-surface racing circuit, with modified production or specially built road cars, similar to the World Rally Cars. It is mainly popular in the Nordic countries, the Netherlands, Belgium, France and Great Britain. An inexpensive, entry level type of rallycross is the Swedish folkrace or its Norwegian counterpart, the so-called bilcross. The folkrace is most popular in Finland where it was founded back in the late 60s. In Europe, rallycross can also refer to racing 1:8 scale off-road radio-controlled buggies.

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Rosencrantz and Guildenstern Are Dead is an absurdist, existential tragicomedy by Tom Stoppard, first staged at the Edinburgh Festival Fringe in 1966. The play expands upon the exploits of two minor characters from Shakespeare's Hamlet, the courtiers Rosencrantz and Guildenstern. The main setting is Denmark.

The action of Stoppard's play takes place mainly "in the wings" of Shakespeare's Hamlet, with brief appearances of major characters from Hamlet who enact fragments of the original's scenes. Between these episodes the two protagonists voice their confusion at the progress of events occurring onstage without them in Hamlet, of which they have no direct knowledge.

Comparisons have also been drawn with Samuel Beckett's Waiting for Godot, for the presence of two central characters who almost appear to be two-halves of a single character. Many plot features are similar as well: the characters pass time by playing Questions, impersonating other characters, and interrupting each other or remaining silent for long periods of time.

Rosencrantz and Guildenstern Are Dead garnered acclaim. In 2017, Andy Propst of Time Out ranked the play the 22nd greatest of all time.

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Founded in 2001, the Native American Composers Apprenticeship Project (NACAP) is an outreach program of the Grand Canyon Music Festival that is dedicated to teaching Native American young people to compose concert music. Each year, young musicians work with a Native American composer and a string quartet in residence in partnership with their school's music program. For the 2011 season, the Sphinx Organization's Catalyst Quartet participated as NACAP's first Fellowship Ensemble.

In 2007 New York's WNYC aired a feature about the project on its program Soundcheck, narrated by Ralph Farris of the string quartet ETHEL.

NACAP is a winner of Arizona Governor's Arts Award for Arts in Education and in 2011 was presented with a National Arts and Humanities Youth Program Award by First Lady Michelle Obama.

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"And Then We Kiss" is a song recorded by American singer Britney Spears. It was written by Spears, Mark Taylor and Paul Barry, while production was handled by Taylor. The song did not make the final track listing of Spears' fourth studio album In the Zone (2003) and was later remixed by Junkie XL for inclusion on Spears' first remix album, B in the Mix: The Remixes (2005). It was also included in the EP released to promote the remix album, titled Key Cuts from Remixed (2005). The remix was released as the promotional single from the album in Australia and New Zealand. The original version by Taylor leaked online in September 2011.

The Junkie XL Remix of "And Then We Kiss" is a Eurotrance song with influences of techno and usage of dance-rock guitars, synthesizers and symphonic strings. The lyrics speak about a kiss and the different sensations that a woman experiences, including trembling, crying and moaning. Junkie XL explained that he wanted to make the song a 2006 version of Depeche Mode's "Enjoy the Silence". The Junkie XL Remix of "And Then We Kiss" was well received by music critics, with some noticing its potential to be a radio or club hit. The song failed to appear on any major charts, however, it peaked at number fifteen on the US Billboard Hot Dance Airplay.